(03-01-2010 21:08)Alexka link писал(а):Как записано - не очень понравилось, тем более запись вроде 93 года, значит такая задумка. Девченка ничего.

Релиз 2000 года
по поводу как записано можно спорить :-)
вот ревью от Мартина ДэВульфа (http://www.boundforsound.com/)

And for something completely different, the following recording has to be one of the most natural sounding ever made. Leave it to Pierre Sprey of Mapleshade to capture the human voice and its accompanying instruments in a more organic and natural way than ever before. Pierre`s latest assault on the recording art, and voyage into the land where no other recording engineer has ever gone, has arrived in the form of Bob Willoughby`s "blues, booze & oldtimey soul." Start with James Carr`s, At the Dark End of the Street. It`ll have you wanting to serve Bob Willoughby and Amy Sarli drinks and finger food-the boy and girl have come over for a spell, or so it seems when track 4 is played. In all my CDs and needle discs, none have a more intimate expression of the human voice. You are the microphone, you are in the studio, what else can you want? Other songs include Sugar Babe, A Hundred Years From Today, and Gee Baby, Ain`t I Good To You? Singer, Willoughby ads his own inflection and tenor that says something a little different from interpretations of the past. He sounds deep and willowy, but then again, Willoughby is a blue eyed, lanky white guy who sounds as black as Muddy Waters, and as relaxed as John Lee Hooker. This is one interesting dude. "Blues, booze & oldtimey soul" is a recording of reference quality that goes into my "Hall of Fame" with other recordings of Exceptional Merit such as Clapton`s "Unplugged", and Red Norvo`s "Forward Look." This is an instant classic for the audiophile and non-audiophile alike. Bound for Sound: reviewed by Martin DeWolfe